(1789) Original partial edition illuminated and published by William Blake
(1794) Complete edition published in 1794, available digitized from the Rosenwald Collection at the Library of Congress (LoC) and at the Blake Archive.
(1901) This version is based on a 1901 edition published by R. Brimley Johnson (London and Guilford).
Transcribed by David Price, email ccx074@pglaf.org
(2011) Reformatted for use as an sBook by Ken Haase (kh@beingmeta.com, beingmeta, inc.) including select graphics from the LOC's digitized versions.

Piping down the valleys
wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:
'Pipe a song about a Lamb!'
So I piped with merry cheer.
'Piper, pipe that song
again.'
So I piped: he wept to hear.
'Drop thy pipe, thy happy
pipe;
Sing thy songs of happy cheer!'
So I sung the same again,
While he wept with joy to hear.
So he vanished from my
sight;
And I plucked a hollow reed,
And I made a rural pen,
And I stained the water clear,
And I wrote my happy songs
Every child may joy to hear.
How sweet is the shepherd's sweet lot!
From the morn to the evening he strays;
He shall follow his sheep all the day,
And his tongue shall be fillèd with praise.
For he hears the lambs' innocent call,
And he hears the ewes' tender reply;
He is watchful while they are in peace,
For they know when their shepherd is nigh.
The sun does arise,
And make happy the skies;
The merry bells ring
To welcome the Spring;
The skylark and thrush,
The birds of the bush,
Sing louder around
To the bells' cheerful sound;
While our sports shall be seen
On the echoing green.
Old John, with white hair,
Does laugh away care,
Sitting under the oak,
Among the old folk.
They laugh at our play,
And soon they all say,
'Such, such were the joys
When we all - girls and boys -
In our youth-time were seen
On the echoing green.'
Little lamb, who made thee?
Does thou know who made thee,
Gave thee life, and bid thee feed
By the stream and o'er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales
rejoice?
Little lamb, who made thee?
Does thou know who made thee?
Little lamb, I'll tell
thee;
Little lamb, I'll tell thee:
He is callèd by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild,
He became a little child.
I a child, and thou a lamb,
We are callèd by His name.
Little lamb, God bless thee!
Little lamb, God bless thee!
My mother bore me in the southern
wild,
And I am black, but O my soul is white!
White as an angel is the English
child,
But I am black, as if bereaved of light.
My mother taught me underneath a
tree,
And, sitting down before the heat of day,
She took me on her lap and kissèd
me,
And, pointing to the East, began to say:
'Look on the rising sun: there
God does live,
And gives His light, and gives His heat away,
And flowers and trees and beasts
and men receive
Comfort in morning, joy in the noonday.
'And we are put on earth a little
space,
That we may learn to bear the beams of love;
And these black bodies and this
sunburnt face
Are but a cloud, and like a shady grove.
Saying, "Come out from the grove,
my love and care,
And round my golden tent like lambs rejoice
Thus did my mother say, and
kissed me,
And thus I say to little English boy.
When I from black, and he from
white cloud free,
And round the tent of God like lambs we joy,
I'll shade him from the heat till
he can bear
To lean in joy upon our Father's knee;
And then I'll stand and stroke
his silver hair,
And be like him, and he will then love me.
Merry, merry sparrow!
Under leaves so green
A happy blossom
Sees you, swift as arrow,
Seek your cradle narrow,
Near my bosom.
Pretty, pretty robin!
Under leaves so green
A happy blossom
Hears you sobbing, sobbing,
Pretty, pretty robin,
Near my bosom.
When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry 'Weep! weep! weep! weep!'
So your chimneys I sweep, and in soot I sleep.
There's little Tom Dacre, who cried when his head,
That curled like a lamb's back, was shaved; so I said,
'Hush, Tom! never mind it, for, when your head's bare,
You know that the soot cannot spoil your white hair.'
And so he was quiet, and that very night,
As Tom was a-sleeping, he had such a sight! -
That thousands of sweepers, Dick, Joe, Ned, and Jack,
Were all of them locked up in coffins of black.
And by came an angel, who had a bright key,
And he opened the coffins, and set them all free;
Then down a green plain, leaping, laughing, they run
And wash in a river, and shine in the sun.
They rise upon clouds, and sport in the wind:
And the angel told Tom, if he'd be a good boy,
He'd have God for his father, and never want joy.
And so Tom awoke, and we rose in the dark,
And got with our bags and our brushes to work.
Though the morning was cold, Tom was happy and warm:
So, if all do their duty, they need not fear harm.
'Father, father, where are you
going?
O do not walk so fast!
Speak, father, speak to your little boy,
Or else I shall be lost.'
The night was dark, no father was
there,
The child was wet with dew;
The mire was deep, and the child
did weep,
And away the vapour flew.
The little boy lost in the lonely
fen,
Led by the wandering light,
Began to cry, but God, ever nigh,
Appeared like his father, in white.
He kissed the child, and by the
hand led,
And to his mother brought,
Who in sorrow pale, through the
lonely dale,
Her little boy weeping sought.
When the green woods laugh with the voice of joy,
And the dimpling stream runs laughing by;
When the air does laugh with our merry wit,
And the green hill laughs with the noise of it;
When the meadows laugh with lively green,
And the grasshopper laughs in the merry scene;
When Mary and Susan and Emily
With their sweet round mouths sing 'Ha ha he!'
When the painted birds laugh in the shade,
Where our table with cherries and nuts is spread:
Come live, and be merry, and join with me,
To sing the sweet chorus of 'Ha ha he!'
Sweet dreams, form a shade
O'er my lovely infant's head!
Sweet dreams of pleasant streams
By happy, silent, moony beams!
Sweet Sleep, with soft down
Weave thy brows an infant crown!
Sweet Sleep, angel mild,
Hover o'er my happy child!
Sweet smiles, in the night
Hover over my delight!
Sweet smiles, mother's smiles,
All the livelong night beguiles.
Sweet moans, dovelike sighs,
Chase not slumber from thy eyes!
Sweet moans, sweeter smiles,
All the dovelike moans beguiles.
All creation slept and smiled.
Sleep, sleep, happy sleep,
While o'er thee thy mother weep.
Sweet babe, in thy face
Holy image I can trace;
Sweet babe, once like thee
Thy Maker lay, and wept for me:
Wept for me, for thee, for all,
When He was an infant small.
Thou His image ever see,
Heavenly face that smiles on thee!
Smiles on thee, on me, on all,
Who became an infant small;
Infant smiles are His own smiles;
Heaven and earth to peace beguiles.
To Mercy, Pity, Peace, and
Love,
All pray in their distress,
And to these virtues of delight
Return their thankfulness.
For Mercy, Pity, Peace, and
Love,
Is God our Father dear;
And Mercy, Pity, Peace, and
Love,
Is man, His child and care.
For Mercy has a human
heart;
Pity, a human face;
And Love, the human form
divine:
And Peace the human dress.
Then every man, of every
clime,
That prays in his distress,
Prays to the human form
divine:
Love, Mercy, Pity, Peace.
'Twas on a holy Thursday, their innocent faces clean,
The children walking two and two, in red, and blue, and green:
Grey-headed beadles walked before, with wands as white as snow,
Till into the high dome of Paul's they like Thames waters flow.
O what a multitude they seemed, these flowers of London town!
Seated in companies they sit, with radiance all their own.
The hum of multitudes was there, but multitudes of lambs,
Thousands of little boys and girls raising their innocent hands.
Now like a mighty wind they raise to heaven the voice of song,
Or like harmonious thunderings the seats of heaven among:
Beneath them sit the aged men, wise guardians of the poor.
Then cherish pity, lest you drive an angel from your door.
The sun descending in the West,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.
The moon, like a flower
In heaven's high bower,
With silent delight,
Sits and smiles on the night.
Farewell, green fields and happy groves,
Where flocks have took delight,
Where lambs have nibbled, silent moves
The feet of angels bright;
Unseen, they pour blessing,
And joy without ceasing,
On each bud and blossom,
And each sleeping bosom.
They look in every thoughtless nest
Where birds are covered warm;
They visit caves of every beast,
To keep them all from harm:When wolves and tygers howl for prey,
They pitying stand and weep;
Seeking to drive their thirst away,
And keep them from the
sheep.
But, if they rush dreadful,
The angels, most heedful,
Receive each mild spirit,
New worlds to inherit.
And there the lion's ruddy eyes
Shall flow with tears of gold:
And pitying the tender cries,
And walking round the fold:
Saying: 'Wrath by His meekness,
And, by His health, sickness,
Is driven away
From our immortal day.
Sound the flute!
Now it's mute!
Birds delight,
Day and night,
Nightingale,
In the dale,
Lark in sky, -
Merrily,
Merrily, merrily to welcome in the year.
Little boy,
Full of joy;
Little girl,
Sweet and small;
Cock does crow,
So do you;
Merry voice,
Infant noise;
Merrily, merrily to welcome in the year.
When voices of children are heard
on the green,
And laughing is heard on the hill,
My heart is at rest within my
breast,
And everything else is still.
'Then come home, my children, the
sun is gone down,
And the dews of night arise;
Come, come, leave off play, and
let us away,
Till the morning appears in the skies.'
'No, no, let us play, for it is
yet day,
And we cannot go to sleep;
Besides, in the sky the little
birds fly,
And the hills are all covered with sheep.'
'Well, well, go and play till the
light fades away,
And then go home to bed.'
The little ones leaped, and
shouted, and laughed,
And all the hills echoèd.
'I have no name;
I am but two days old.'
What shall I call thee?
'I happy am,
Joy is my name.'
Sweet joy befall thee!
Pretty joy!
Sweet joy, but two days old.
Sweet joy I call thee:
Thou dost smile,
I sing the while;
Sweet joy befall thee!
Once a dream did weave a shade
O'er my angel-guarded bed,
That an emmet lost its way
Where on grass methought I lay.
Troubled, wildered, and forlorn,
Dark, benighted, travel-worn,
Over many a tangled spray,
All heart-broke, I heard her say:
'O my children! do they cry,
Do they hear their father sigh?
Now they look abroad to see,
Now return and weep for me.'
Pitying, I dropped a tear:
But I saw a glow-worm near,
Who replied, 'What wailing wight
Calls the watchman of the night?'
Can I see another's woe,
And not be in sorrow too?
Can I see another's grief,
And not seek for kind relief?
Can I see a falling tear,
And not feel my sorrow's share?
Can a father see his child
Weep, nor be with sorrow filled?
Can a mother sit and hear
An infant groan, an infant fear?
No, no! never can it be!
Never, never can it be!
And can He who smiles on all
Hear the wren with sorrows small,
Hear the small bird's grief and care,
Hear the woes that infants bear -
Pouring pity in their breast,
And not sit the cradle near,
Weeping tear on infant's tear?
And not sit both night and day,
Wiping all our tears away?
O no! never can it be!
Never, never can it be!
He doth give His joy to all:
He becomes an infant small,
He becomes a man of woe,
He doth feel the sorrow too.
Think not thou canst sigh a sigh,
And thy Maker is not by:
Think not thou canst weep a tear,
And thy Maker is not near.
O He gives to us His joy,
That our grief He may destroy:
Till our grief is fled and gone
He doth sit by us and moan.

Hear the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
The Holy Word
That walked among the ancient trees;
Calling the lapséd soul,
And weeping in the evening dew;
That might control
The starry pole,
And fallen, fallen light renew!
'O Earth, O Earth, return!
Arise from out the dewy grass!
Night is worn,
And the morn
Rises from the slumbrous mass.
Earth raised up her head
From the darkness dread and drear,
Her light fled,
Stony, dread,
And her locks covered with grey despair.
'Prisoned on watery shore,
Starry jealousy does keep my den
Cold and hoar;
Weeping o'er,
I hear the father of the ancient men.
'Selfish father of men!
Cruel, jealous, selfish fear!
Can delight,
Chained in night,
The virgins of youth and morning bear.
'Does spring hide its joy,
When buds and blossoms grow?
Does the sowerSow by night,
Or the ploughman in darkness plough?
'Break this heavy chain,
That does freeze my bones around!
Selfish, vain,
Eternal bane,
That free love with bondage bound.'
'Love seeketh not itself to
please,
Nor for itself hath any care,
But for another gives its
ease,
And builds a heaven in hell's despair.'
So sung a little clod of
clay,
Trodden with the cattle's feet,
But a pebble of the brook
Warbled out these metres meet:
'Love seeketh only Self to
please,
To bind another to its delight,
Joys in another's loss of
ease,
And builds a hell in heaven's despite.'
Is this a holy thing to see
In a rich and fruitful land, -
Babes reduced to misery,
Fed with cold and usurous hand?
Is that trembling cry a
song?
Can it be a song of joy?
And so many children poor?
It is a land of poverty!
And their sun does never
shine,
And their fields are bleak and bare,
And their ways are filled with
thorns,
It is eternal winter there.
For where'er the sun does
shine,
And where'er the rain does fall,
Babe can never hunger
there,
Nor poverty the mind appal.
In futurity
I prophesy
That the earth from sleep
(Grave the sentence deep)
Shall arise, and seek
For her Maker meek;
And the desert wild
Become a garden mild.
In the southern clime,
Where the summer's prime
Never fades away,
Lovely Lyca lay.
Seven summers old
Lovely Lyca told.
She had wandered long,
Hearing wild birds' song.
'Lost in desert wild
Is your little child.
How can Lyca sleep
If her mother weep?
'If her heart does ache,
Then let Lyca wake;
If my mother sleep,
Lyca shall not weep.
'Frowning, frowning night,
O'er this desert bright
Let thy moon arise,
While I close my eyes.'
Sleeping Lyca lay,
While the beasts of prey,
Come from caverns deep,
Viewed the maid asleep.
Leopards, tygers, play
Round her as she lay;
While the lion old
Bowed his mane of gold,
And her bosom lick,
And upon her neck,
From his eyes of flame,
Ruby tears there came;
While the lioness
Loosed her slender dress,
And naked they conveyed
To caves the sleeping maid.
All the night in woe
Lyca's parents go
Over valleys deep,
While the deserts weep.
Tired and woe-begone,
Hoarse with making moan,
Arm in arm, seven days
They traced the desert ways.
Seven nights they sleep
Among shadows deep,
And dream they see their child
Starved in desert wild.
Pale through pathless ways
The fancied image strays,
Famished, weeping, weak,
With hollow piteous shriek.
In his arms he bore
Her, armed with sorrow sore;
Till before their way
A couching lion lay.
Turning back was vain:
Soon his heavy mane
Bore them to the ground,
Then he stalked around,
Smelling to his prey;
But their fears allay
When he licks their hands,
And silent by them stands.
They look upon his eyes,
Filled with deep surprise;
And wondering behold
A spirit armed in gold.
'Follow me,' he said;
'Weep not for the maid;
In my palace deep,
Lyca lies asleep.'
Then they followèd
Where the vision led,
And saw their sleeping child
Among tygers wild.
To this day they dwell
In a lonely dell,
Nor fear the wolvish howl
Nor the lion's growl.
A little black thing among the snow,
Crying! 'weep! weep!' in notes of woe!
'Where are thy father and mother? Say!' -
'They are both gone up to the church to pray.
'Because I was happy upon the heath,
And smiled among the winter's snow,
They clothed me in the clothes of death,
And taught me to sing the notes of woe.
'And because I am happy and dance and sing,
They think they have done me no injury,
And are gone to praise God and His priest and king,
Who made up a heaven of our misery.'
When the voices of children are
heard on the green,
And whisperings are in the dale,
The days of my youth rise fresh
in my mind,
My face turns green and pale.
Then come home, my children, the
sun is gone down,
And the dews of night arise;
Your spring and your day are
wasted in play,
And your winter and night in disguise.
O rose, thou art sick!
The invisible worm,
That flies in the night,
In the howling storm,
Has found out thy bed
Of crimson joy,
And his dark secret love
Does thy life destroy.
Little Fly,
Thy summer's play
My thoughtless hand
Has brushed away.
Am not I
A fly like thee?
Or art not thou
A man like me?
For I dance,
And drink, and sing,
Till some blind hand
Shall brush my wing.
If thought is life
And strength and breath,
And the want
Of thought is death;
I dreamt a dream! What can it mean?
And that I was a maiden Queen
Guarded by an Angel mild:
Witless woe was ne'er beguiled!
And I wept both night and day,
And he wiped my tears away;
And I wept both day and night,
And hid from him my heart's delight.
So he took his wings, and fled;
Then the morn blushed rosy red.
I dried my tears, and armed my fears
With ten thousand shields and spears.
Soon my Angel came again;
I was armed, he came in vain;
For the time of youth was fled,
And grey hairs were on my head.
Tyger, tyger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder and what art
Could twist the sinews of thy heart?
And, when thy heart began to beat,
What dread hand and what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
And watered heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?
Tyger, tyger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
A flower was offered to me,
Such a flower as May never bore;
But I said, 'I've a pretty rose
tree,'
And I passed the sweet flower o'er.
Then I went to my pretty rose
tree,
To tend her by day and by night;
But my rose turned away with
jealousy,
And her thorns were my only delight.
Ah, sunflower, weary of
time,
Who countest the steps of the sun;
Seeking after that sweet golden
clime
Where the traveller's journey is done;
Where the Youth pined away with
desire,
And the pale virgin shrouded in snow,
Arise from their graves, and
aspire
Where my Sunflower wishes to go!
The modest Rose puts forth a thorn,
The humble sheep a threat'ning horn:
While the Lily white shall in love delight,
Nor a thorn nor a threat stain her beauty bright.
I went to the Garden of
Love,
And saw what I never had seen;
A Chapel was built in the
midst,
Where I used to play on the green.
And the gates of this Chapel were
shut,
And 'Thou shalt not' writ over the
door;
So I turned to the Garden of
Love
That so many sweet flowers bore.
And I saw it was filled with
graves,
And tombstones where flowers should be;
And priests in black gowns were
walking their rounds,
And binding with briars my joys and desires.
Dear mother, dear mother, the Church is cold;
But the Alehouse is healthy, and pleasant, and warm.
Besides, I can tell where I am used well;
Such usage in heaven will never do well.
But, if at the Church they would give us some ale,
And a pleasant fire our souls to regale,
We'd sing and we'd pray all the livelong day,
Nor ever once wish from the Church to stray.
Then the Parson might preach, and drink, and sing,
And we'd be as happy as birds in the spring;
And modest Dame Lurch, who is always at church,
Would not have bandy children, nor fasting, nor birch.
And God, like a father, rejoicing to see
His children as pleasant and happy as He,
Would have no more quarrel with the Devil or the barrel,
But kiss him, and give him both drink and apparel.
I wander through each chartered
street,
Near where the chartered Thames does flow,
A mark in every face I
meet,
Marks of weakness, marks of woe.
In every cry of every man,
In every infant's cry of fear,
In every voice, in every
ban,
The mind-forged manacles I hear:
How the chimney-sweeper's
cry
Every blackening church appals,
And the hapless soldier's
sigh
Runs in blood down palace-walls.
But most, through midnight
streets I hear
How the youthful harlot's curse
Blasts the new-born infant's
tear,
And blights with plagues the marriage hearse.
Pity would be no more
If we did not make somebody poor,
And Mercy no more could be
If all were as happy as we.
And mutual fear brings Peace,
Till the selfish loves increase;
Then Cruelty knits a snare,
And spreads his baits with care.
He sits down with holy fears,
And waters the ground with tears;
Then Humility takes its root
Underneath his foot.
Soon spreads the dismal shade
Of Mystery over his head,
And the caterpillar and fly>
Feed on the Mystery.
Ruddy and sweet to eat,
And the raven his nest has made
In its thickest shade.
The gods of the earth and sea
Sought through nature to find this tree,
But their search was all in vain:
There grows one in the human Brain.
My mother groaned, my father wept:
Into the dangerous world I leapt,
Helpless, naked, piping loud,
Like a fiend hid in a cloud.
Struggling in my father's hands,
Striving against my swaddling bands,
Bound and weary, I thought best
To sulk upon my mother's breast.
I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I watered it in fears
Night and morning with my tears,
And I sunnèd it with smiles
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright,
And my foe beheld it shine,
And he knew that it was mine, -
And into my garden stole
When the night had veiled the pole;
In the morning, glad, I see
My foe outstretched beneath the tree.
'Nought loves another as
itself,
Nor venerates another so,
Nor is it possible to
thought
A greater than itself to know.
'And, father, how can I love
you
Or any of my brothers more?
I love you like the little
bird
That picks up crumbs around the door.'
The Priest sat by and heard the
child;
In trembling zeal he seized his hair,
He led him by his little
coat,
And all admired his priestly care.
And standing on the altar
high,
'Lo, what a fiend is here!' said he:
'One who sets reason up for
judge
Of our most holy mystery.'
They stripped him to his little
shirt,
And bound him in an iron chain,
And burned him in a holy
place
Where many had been burned before;
The weeping parents wept in
vain.
Are such things done on Albion's shore?
Children of the future age,
Reading this indignant page,
Know that in a former time
Love, sweet love, was thought a crime.
In the age of gold,
Free from winter's cold,
Youth and maiden bright,
To the holy light,
Naked in the sunny beams delight.
Once a youthful pair,
Filled with softest care,
Met in garden bright
Where the holy light
Had just removed the curtains of the night.
There, in rising day,
On the grass they play;
Parents were afar,
Strangers came not near,
And the maiden soon forgot her fear.
They agree to meet
When the silent sleep
Waves o'er heaven's deep,
And the weary tired wanderers weep.
To her father white
Came the maiden bright;
But his loving look,
Like the holy book,
All her tender limbs with terror shook.
Ona, pale and weak,
To thy father speak!
O the trembling fear!
O the dismal care
That shakes the blossoms of my hoary hair!'
Cruelty has a human heart,
And Jealousy a human face;
Terror the human form
divine,
And Secrecy the human dress.
The human dress is forgèd
iron,
The human form a fiery forge,
The human face a furnace
sealed,
The human heart its hungry gorge.
Sleep, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.
Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.
As thy softest limbs I feel,
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart doth rest.
O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful light shall break.
I love to rise in a summer
morn,
When the birds sing on every tree;
The distant huntsman winds his
horn,
And the skylark sings with me:
O what sweet company!
But to go to school in a summer
morn, -
O it drives all joy away!
Under a cruel eye outworn,
The little ones spend the day
In sighing and dismay.
Ah then at times I drooping
sit,
And spend many an anxious hour;
Nor in my book can I take
delight,
Nor sit in learning's bower,
Worn through with the dreary shower.
How can the bird that is born for
joy
Sit in a cage and sing?
O father and mother if buds are
nipped,
And blossoms blown away;
And if the tender plants are
stripped
Of their joy in the springing day,
By sorrow and care's dismay, -
How shall the summer arise in
joy,
Or the summer fruits appear?
Or how shall we gather what
griefs destroy,
Or bless the mellowing year,
When the blasts of winter appear?
Whate'er is born of mortal birth
Must be consumèd with the earth,
To rise from generation free:
Then what have I to do with thee?
The sexes sprung from shame and pride,
Blowed in the morn, in evening died;
But mercy changed death into sleep;
The sexes rose to work and weep.
Thou, mother of my mortal part,
With cruelty didst mould my heart,
And with false self-deceiving tears
Didst blind my nostrils, eyes, and ears,
Didst close my tongue in senseless clay,
And me to mortal life betray.
The death of Jesus set me free:
Then what have I to do with thee?
Youth of delight! come hither
And see the opening morn,
Image of Truth new-born.
Doubt is fled, and clouds of reason,
Dark disputes and artful teazing.
Folly is an endless maze;
Tangled roots perplex her ways;
How many have fallen there!
They stumble all night over bones of the dead;
And feel - they know not what but care;
And wish to lead others, when they should be led.

Songs of Innocence and of Experience is an illustrated collection of poems by William Blake. It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Showing the Two Contrary States of the Human Soul. "Innocence" and "Experience" are definitions of consciousness that rethink Milton's existential-mythic states of "Paradise" and the "Fall." Blake's categories are modes of perception that tend to coordinate with a chronology that would become standard in Romanticism: childhood is a time and a state of protected "innocence," but not immune to the fallen world and its institutions. This world sometimes impinges on childhood itself, and in any event becomes known through "experience," a state of being marked by the loss of childhood vitality, by fear and inhibition, by social and political corruption, and by the manifold oppression of Church, State, and the ruling classes. The volume's "Contrary States" are sometimes signaled by patently repeated or contrasted titles: in Innocence, Infant Joy, in Experience, Infant Sorrow; in Innocence, The Lamb, in Experience, The Fly and The Tyger.

William
Blake (28 November 1757 - 12 August 1827) was an English poet, painter, and printmaker. Largely
unrecognised during his lifetime, Blake is now considered a seminal
figure in the history of both the poetry and visual arts of the
Romantic Age. His prophetic poetry has been said
to form "what is in proportion to its merits the least read body of
poetry in the English language". His visual artistry has led one
contemporary art critic to proclaim him "far and away the greatest
artist Britain has ever produced". Although he lived in London his
entire life except for three years spent in Felpham
he produced a diverse and symbolically rich corpus, which embraced
the imagination as "the body of God", or "Human existence
itself".
Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of both the Romantic movement and "Pre-Romantic", for its large appearance in the 18th century. Reverent of the Bible but hostile to the Church of England - indeed, to all forms of organised religion - Blake was influenced by the ideals and ambitions of the French and American revolutions, as well as by such thinkers as Jakob Böhme and Emanuel Swedenborg.
Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th century scholar William Rossetti characterised Blake as a "glorious luminary," and as "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".